Tayo for the first time is confronting
his past and is starting to heal his sickness.
He travels a far distance with his uncle Robert to meet a new medicine
man, Betonie. Tayo is doubtful that any medicine man can understand him, but he
notices that Betonie does not act like any other medicine man. Betonie is much different than old man Kush
in the sense that he is a current medicine man, where as Kush is a very old and
a traditional medicine man. Betonie integrated the traditional ways of a
medicine man with western medicine. He
understands that healing and medicine have to change with time. “In the old days it was simple. A medicine man could get by without all these
things. But nowadays…”(Silko 111). Healing and ceremonies are meant to evolve
with time, not to stay completely stagnant.
“They think that if a singer tampers with any part of the ritual, great
harm can be done great power unleashed…but long ago when the people were given
these ceremonies, the changing began, if only in the aging of the yellow gourd
rattle or the shrinking of the skin around the eagle’s claw, if only in the
different voices from generation to generation singing chants”(Silko 116). At a time it was fine to preform traditional
ceremonies, but once the white people came, ceremonies need to be changed due
to the shift in ages. Betonie is able to integrate and adapt to these changes. Betonie teaches Tayo that he can be one with
nature and machine. All of the cardboard
boxes filled with old cloths, rags, telephone books, reddish willow twigs,
dried sage and mountain tobacco are an example of combing nature with materials. Betonie is “comfortable” living with poverty
and trash all around him because he is connected to the land of his ancestors. “We know these hills, we are comfortable
here…not the comfort of big houses or rich food or even clean streets, but the
comfort of belonging with the land, and the peace of being with these
hills”(Silko 108). Betonie sees it as
the Navajos were here in Gallup first and this land will always be theirs; it
is the white people’s city that
is out of place.
Tayo begins to let out his thoughts
about Josiah, Rocky and Emo. Tayo tells
Betonie about how he let Josiah die in the Philippine jungles with the rest of
the Japanese soldiers, even though it was impossible for Josiah to physically
be there. Betonie goes on to tell Tayo
that he is not crazy for thinking that; “It isn’t surprising you saw him with
them. You saw who they were. Thirty thousand years ago they were not
strangers. You saw what the evil had done: you saw the witchery ranging as wide
as this world”(Silko 114). Betonie
explains how we all come from the same place; we are all human. This goes along with what John Trudell said
in Reel Injun, that humans created
the concept of race and other differences between them. White people and Native Americans are social
constructs that separate humans based on their skin color. This causes people assume that all White
people or Indians act the same way and have the same characteristics. Tayo sees all white people as thieves and
destroyers of their homeland, while all white people see Indians as
second-class citizens that are not as civilized. Betonie tells Tayo, “nothing is that
simple…you don’t write off all the people, just like you don’t trust all the
Indians”(Silko 118). One can’t use
overlying stereotypes to judge an individual; evil does not come from a race or
a group, but from an individual. Emo is an
example of an individual that represents evil.
Emo believes that, “the land is no good, and we must go after what they
have, and take it from them”(Silko 122).
Emo thinks that Indians have nothing compared to white people and that
Indian ceremonies cannot help in this day and age. But, Betonie explains how the evilness or the
witchery, “want us to believe all evil resides with white people…but white
people are only tools that the witchery manipulates; and I tell you, we can
deal with white people, with their machines and their beliefs”(Silko 122). This goes back to explain how one has to
transition through time and change to survive; “There are balances and
harmonies always shifting, always necessary to maintain”(Silko 120). Tayo is beginning to understand evil resides
in individuals and that change is necessary to life.
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